Memento

Year: 2000
Directed By: Christopher Nolan
Written By: Christopher Nolan (screenplay) Jonathan Nolan (Short Story)

RYAN’S REVIEW

Some movies challenge us as viewers.  They demand more from us than the typical film and we are required to give a higher level of our concentration to them.  This isn’t something the casual film-goer will always do but for those of us that do the reward is ever more fulfilling. Some of the most entertaining films are the ones that require us to think more.   This is one of those movies; a film on a platform all by itself and unlike any other out there.  On every level it is entertaining from the story, to the performances, to the cinematography.  This was an intelligent group of people boldly doing their own thing and proving themselves to be a new generation of filmmakers with the potential to take everything to the next level.

Of course everybody knows Christopher Nolan now.  His Batman films were incredible and left an impression on nearly everyone who saw them.  Nolan is certainly one of the most talented filmmakers out there right now and he proves that each and every time he gets behind camera. He proved it with The Prestige, with Inception, and he will most certainly blow our minds again with his next film Interstellar.  This film was his second but it was his first step into doing larger things.  Something that I think makes him so successful is that he has his own team that he works with together on everything.  Looking at the credits roll for this movie I see lots of names I recognize from his other films.  This was back in 2000 and so many of these people have stayed together to work on all of Nolan’s films.  Of course there are his wife and his brother who are always with him.  Emma Thomas serving as producer and Jonathan Nolan involved in writing. Other names that popped out were Wally Pfister and John Papsidera who have both worked on most if not all of Nolan’s movies since.  Though he wasn’t involved in this film Nolan typically uses Hans Zimmer to score his films.  There are no doubt plenty of names I don’t notice because I only see these in passing. In truth I know little about these people beyond their names and job title but that’s not the point.  My whole point is that continuity among the crew goes a long way in a director’s successful career. Nolan’s talent is immense and it’s such an exciting time to be a film fan specifically because of what men like him give us to look forward to.

This film is so unique, even for Nolan.  I love how progressive and gutsy it all is.  Nolan is such a confident filmmaker and that confidence can be seen in his work.  You have to believe in what you are doing to do something this different.  Nolan is a fearless filmmaker and has been wise in believing in himself.  The way this film comes together as it progresses is like a work of magic.  It has so many layers and is so exceptional on each and every one.  The story in this movie is terrific as is the story within the story.  The character they created in Leonard is so interesting and his handicap offers such a fascinating dynamic. I love how the film comes full circle with such clarity in the end and how splendidly the two stories merge into something bigger and even more shocking. This is a great thriller and unlike any other I have ever seen.  A great film from a great director who has so much more to offer us in the future.

I am not a fan of Guy Pearce but he is so perfect for the part in this movie.  I have always said his best attribute is walking around with a lost look on his face.  I think it was The Time Machine that gave me this impression of him as an actor.  It’s what I have come to associate him with over the years and I think it’s great to see it so effectively used for a role like this.  He looks a little ridiculous with that hairdo but the lost look on his face just fits so well.  I don’t like Carrie-Anne Moss either but actually think this was one of the better performances I have seen from her. She plays a great part and pulls it off well.  Joe Pantoliano is awesome in everything and no different in this one. He’s at his best when playing the shady character and he’s in his element in this one.  The role was small but I think Mark Boone Junior is great.  He has made plenty of roles his own but as an actor I always want more of him because he has a talent you can never have enough of.

I can gush over this movie to no end but it’s the type of movie you have to see for yourself.  It took me a long time to get around to seeing this one.  For reasons I can’t remember I snubbed it when people tried to tell me it was great back in the early 2000s.  It was sometime after the success Nolan found with the Batman franchise that I finally went back and saw what I was missing.  I had missed out on something exceptional and if you have never seen this movie you have too.  It’s worth your time to go out of your way to find it and watch it.  In fact everything Nolan and his crew have done is worth your time to seek out and watch.  He has a new film coming out later this year, Interstellar, and I have every reason to think it will be another mind blowing feature from the director who has quickly become the best at blowing our minds.

AMBER’S REVIEW

This movie was incredibly intricate. Every detail was so well thought through. What kind of brain can create something like this? I have to be honest. I have seen this film before, but it’s been a while. I ran a 5k the day we watched this, so I passed out half way through. Ryan filled me in and my brain is still trying to piece all the pieces together. I really like this movie and it is well worth your time to watch it.

mementoWhen I first looked at this poster, I wasn’t that impressed, but now looking at it a little closer, I don’t think it’s that bad. It shows a few characters and includes a few necessary props that are throughout the movie. The typography of the text is a written font to mimic the handwriting that goes onto the Polaroids the main character has to take to remember things, and although it maybe clever I find it too obvious and cliché. I think there are a lot of better ways to do this poster, but this isn’t the worst way either. I really just want more out of it, because there is so much depth to the movie itself, and this really isn’t beckoning me to go watch the film.

NEXT MOVIE: Me, Myself & Irene (2000)

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