Directed By: Wes Anderson
Written By: Wes Anderson and Roman Coppola
How funny it is that so soon after we review Monster’s Ball we should come to another love story so equally awkward and awesome. I think on paper the love story of a teenage girl and a khaki scout running away together to prematurely get married doesn’t sound so good but with the right guy at the helm it can become magic. I’ll admit that there are times during this movie that I feel a bit awkward because the stars are so young but it really takes nothing away from how cute and romantic their relationship is. Like all Wes Anderson movies this one is built on outstanding performances from a rich cast to go along with smart dialogue and unique direction.
I think Wes Anderson is one of the smartest filmmakers out there today. Like a solo Coen Brothers act that makes something with a style of his own that never fails to be different and interesting. I would never insult the man by trying to diagnose him myself. I wholeheartedly believe this man more than most to be smarter than myself and I have no business trying to put his work under a microscope. It’s incredible, its original, and it is a reminder to me that there are still fresh movies being made during this age of big budget special effects monsters. Wes Anderson is a director that knows how to develop characters during the time constraints of a film. He draws top tier actors to his films and puts them all in a position to play a really memorable role. I don’t know where he found his two stars for this film but I thought the love struck couple was played by some outstanding young actors. The supporting cast is as good as any I have ever seen yet these two kids manage to still really distinguish themselves. The star crossed lovers, Sam and Suzy, were played by Jared Gilman and Kara Hayward. I don’t know what the future holds for them but they have the talent to grow into greats one day.
This was the first Wes Anderson film to feature Ed Norton and I hope we see more collaborations between the two. I am and have long since been a big fan of Ed Norton. I do not know what’s been up with him for the last decade or so. He really blew up in the late 90s and early 2000s playing parts that left quite an impression on me. Since then the only noteworthy thing he has done has been The Incredible Hulk and although I thought he was great as the mean green machine he burned bridges with the studio. That movie was to be part of the cannon of films being made around The Avengers franchise but when Norton got into a dispute with the studio over a writing credit he was dropped like a bad habit. His character was replaced for the big show and as a result there is a good possibility we don’t see anymore solo Hulk films for quite a while. I think it’s a shame because I liked Norton as Bruce Banner and I would have liked to see more of his Hulk movies. In this film he is awesome as Scout Master Ward and I think he fits in nicely with the Wes Anderson crew.
Bruce Willis and Frances McDormand were also collaborating with Anderson for the first time in this film and like Norton I think they fit in perfectly. They are both in points of their careers where they can seemingly do no wrong when given the right opportunity. For all his talent I think Bruce Willis makes a lot of crap these days but I am specifically thinking of the recent Die Hard sequels. The man is too good of an actor to keep beating a dead horse in my opinion. McDormand on the other hand doesn’t make stupid movies, and I love her for it. Great actress that can never get enough credit.
The Wes Anderson regulars know what he wants now and their performances in his movies are always perfect. Bill Murray is a legend and I love everything that he does. He continues to be part of incredible films and I specifically love the way he has grown as an actor and entertainer over the long haul of his career. Jason Schwartzman always plays an interesting character and this film is no different. I have loved Schwartzman since his portrayal as “Cool Ethan” in one of my favorite comedies of all time, Slackers. That movie is largely forgotten and I rarely meet anybody who has even seen it but he is so damn funny in it. In this film I specifically like the slow motion scene when Sam and Suzy are leaving the chapel as “man and wife” having just been wed by Schwartzman.
I have loved each and every film that Wes Anderson has made and this one is obviously no different. I look forward to his most recent film, Grand Budapest Hotel, because I haven’t seen it yet. Despite not seeing it I have already bought it and expect it on my doorstep the day it is released to video. I have that much faith in Anderson that I will buy what he has made whether I have seen it or heard anything about it or not. That isn’t something I can say for too many directors but I have no doubts about this one. A truly remarkable filmmaker and in my opinion each and everything he does is worth your time. He is still a young director so I hope we have a lot more to look forward to from him in the future.
I just love this adorable movie. It’s an interesting little love story about two kids, who I feel in the end teach everyone a little something about love. It takes a special kind of actor to pull off any Wes Anderson film, and I think he always does a fantastic job of finding actors who can portray so much depth even though they are mostly melancholy the entire film. Another note worthy thing about a Wes Anderson film is the opening credits. They are the most artistic in the business. It doesn’t get much better from an artistic opinion.
This is how you fit everyone in the movie into the poster in an effective way. No cheesy glows and fading, floating faces. One big group shot. Any other movie and this might be cheesy as well, but not this movie. Because it’s too intentional. It works. The coloring matches the movie and the scenery matches the plot. The typography is a little hard to read since the value of the yellow is really close to the blue behind it, but it’s strange and out of place because of the fancy script; yet this too works simply because everything in his movies are strange and out of place. Yes, I will admit I am biased, but this poster works for me. I was already interested in seeing the movie because it’s Wes Anderson, but just in case…the poster also makes me want to watch.
NEXT MOVIE: Multiplicity (1996)