sin city 2

Sin City

Year: 2005
Directed By: Robert Rodriguez and Frank Miller, special guest directing by Quentin Tarantino
Written By: Frank Miller

RYAN’S REVIEW

In the decade prior to the launch of the Marvel Cinematic Universe with the first Iron Man movie, comic book films were growing in popularity. You had the properties owned by Fox hitting the big screen with titles like X-Men, Fantastic Four, Ghost Rider, and Daredevil. Though only X-Men could be considered a success. You had Warner Brothers still pushing Batman and Superman movies with no continuity between them; they would show up egregiously late to the Cinematic Universe party. Then you had movies like this one. Gritty adaptations to darker comics like 300, and The Spirit. All of these films helped build the momentum that would carry the movie industry into the huge market of films based on comic characters.

Beyond the R rated New Line films featuring Blade this was far and away the darkest of all comic book films that had been released. Not only was it dark but it was violent and graphic in ways nobody had seen before. Twice in this movie Bruce Willis destroys the genitals of a sex pervert, which specifically stood out as a new and obscene type of violence. This movie truly lived up to it’s name with all the evilness going on within the movie. There are sex criminals, cannibalism, corruption, betrayal, prostitution, and brutally satisfying violence. Shot in black and white with specific uses of colors all this sinful behavior is on beautiful display to dazzle the audience. I have never understood why it took nine years to make a sequel and why it wasn’t as successful.

I have never taken the time to see the sequel because I have never heard anything positive about it. I didn’t want a subpar sequel to disappoint me in what I had once hoped would be a successful franchise. I think waiting too long can sometimes hurt a franchise. For example, I couldn’t get into The Hobbit movies because I felt like too much time had passed. The time to make those movies were in a reasonable time frame after The Lord of the Rings finished up when it was still fresh on all our minds. I feel like that is the same reason I haven’t seen the sequel to this movie. Nine years is too long to wait on a sequel and by the time it finally came interest had waned. I wish Robert Rodriguez had continued this franchise in lieu of diving into the Machete movies. However, I have yet to see the sequel and if anybody wants to vouch for it please leave a comment. I only need to be slightly motivated to sit down with it.

This movie is a beautiful adaptation because it looks like the pages of a comic book came to life and started moving around. Shot nearly entirely against a green screen this movie is so clever with its use of color. Only specific items in the film are seen in color and their presence creates such a sharp contrast to the film noir setting, making the movie all the more beautiful. I do not know if the colors show up in Frank Miller’s actual comic because I have never taken the time to read it. Rodriguez is on record stating that he doesn’t really consider this film a adaptation and instead sees it as a transition of the page to the screen. That makes me think that the colors are part of the comic, and maybe one day I will find out for myself.

Robert Rodriguez has always been good at assembling a great cast in his movies and this one is no different. The cast of this movie is truly exceptional in all main roles as well as supporting roles. I have long considered this to be one of the last exceptional movies featuring Bruce Willis with few exceptions like Planet Terror or Moonrise KingdomSpecifically this is before he decided to go back to the Die Hard franchise and destroy the legacy of John McClane. Mickey Rourke enjoyed a nice resurgence in his career around the time this film came out and his role as Marv had a lot to do with that. He was viewed as perfect for the part by creator Frank Miller. In the last of what constitutes the main roles I really liked Clive Owen as Dwight. Owen had burst onto the scene around the time this movie was coming out and just as quickly fell off the map. He is still active as an actor but isn’t anywhere close to the spotlight he found himself in ten years ago in the aftermath of playing King Arthur.

The supporting cast of this movie would just take far too long to cover in its entirety. I think special mention should go to Elijah Wood who is undeniably creepy and evil as the silent cannibal Kevin. Rosario Dawson is overflowing with sexuality as the leader of the Old Town whores, Gail. Benicio Del Toro is barely recognizable in make up for the role of Jackie Boy, which was originally offered to Johnny Depp. The late Michael Clarke Duncan was perfect as the golden eyed Manute. I think he was a tragic loss but find the replacement actor, Dennis Haysbert a good choice to play the same role in the sequel. Josh Hartnett looks quite dapper in his beginning scene with Marley Shelton and I specifically like how he shows back up in the end as kind of a bookend to a movie that bounces around in storylines. I have always been a fan of Powers Boothe, and he plays a great bad guy. As Senator Roark he is specifically scary with his efforts to protect his sex criminal son, even suggesting that he would make him President. Last but not least I feel compelled to mention Carla Gugino who is just unbelievably hot in this movie. I’m a big fan and don’t understand why she doesn’t have a more stacked career.

The special guest direction from Quentin Tarantino seemed more like a favor to me than anything else and it turns out it was. Rodriguez did the soundtrack for Kill Bill Volume 2 for one dollar and Tarantino returned the favor by directing a scene in this one. This was during the time I specifically began to despise Tarantino and thought he brought nothing to the table. He directs the scene in which Dwight is driving the bodies to the pit and he has a conversation with a dead Jackie Boy. I didn’t think the flashing colors worked with the continuity of the film and I felt the whole scene was too full of dialogue. That’s Tarantino’s thing though, give him a window and he’ll drone on forever with needless conversation.

This movie wasn’t the start of something greater as I had hoped but it stands on its own just fine. The sequel came out far too late and without the same enthusiasm that was put behind this one. Again, I haven’t seen it so anybody who has please share your thoughts. I think this movie is one of the finest adaptations to a comic I have seen and it was an important film for the future of the comic book era of films. I don’t know what went wrong with the sequel and can’t vouch for it but this movie is easily worth your time. It’s not for the faint of heart but if you have an appetite for something devious than you can’t do much better than this one.

NEXT MOVIE: The Sixth Sense (1999)

 

 

Machete

Year: 2010
Directed By: Robert Rodriguez
Written By: Robert Rodriguez

RYAN’S REVIEW

This film has lost its appeal on me.  I am a big fan of Robert Rodriguez and everything he does but I have to admit this one doesn’t seem as awesome to me as it did three years ago.  I thought Rodriguez’s half of the Grindhouse films was far and away superior in every way to the half that Tarantino did and three years ago I loved that he was taking it a step further.  His fake Machete trailer was really cool and I thought he did a great job carrying that style and intentional exaggeration into a full feature length film.  My problem now is that Rodriguez simply hasn’t done enough in the years since.  I thought this movie was great three years ago but for it to be all this talented filmmaker has worked on since has simply disappointed me.  

I thought that Sin City was incredible and loved what Robert Rodriguez did with it, but after eight years of waiting for the sequel my patience is running thin.  For me, it has created a bit of resentment towards this franchise because this franchise has continued while that one has done nothing.  I have yet to see Machete Kills but haven’t really felt compelled to either because I think this film was enough.  I love Danny Trejo and like him getting the opportunity to be an even bigger badass than he already is but I have just wanted more from Rodriguez over the years and haven’t gotten it.  The sequel to Sin City has finally been made and is set to come out next year but that will be a nine year gap between movies.  I think it’s been too long but I still look forward to it and hope it is worth the wait.

This film was an idea first conceived in 1993 when Rodriguez was making Desperado in Mexico.  When he was shooting the movie the locals had no idea what the movie was actually about or who was in it but they all gravitated toward Trejo when he was on set thinking he was the star of the film.  Rodriguez told Trejo then that he needed to start working with blades and eventually they would collaborate on this.  For the next 15 years Trejo stayed on Rodriguez about the idea to the point that Rodriguez told him he didn’t have to call about it all the time and could simply text him about it.  To this Trejo said “Machete don’t text,” a line Rodriguez thought was funny and eventually put into the film.  Robert Rodriguez has done many great things throughout his career but something I have always liked specifically about him was his propensity to use Trejo in all his films.  Danny Trejo is a badass, and I have loved him in everything from the Johnny 23 to voicing Octavio on King of the HillBeing credited with over 260 roles the man is a relentless worker and there is really no end to naming the great roles he has played either in bit parts or in larger roles.  I do really like him finally getting to play the lead and loved this film at first because it put him in the spotlight.  Having lost its appeal on me though I’ll admit he overdoes it quite a bit in this movie.  Of course that is the point of the movie, but it doesn’t do anything to make the film endearing when there are now reasons to be frustrated with it. If nothing else there is one thing I do want to mention before I move on from Trejo.  He has certainly gotten an awful lot out of one of the coolest tattoos of all time.  If you know Danny Trejo at all then you know exactly what I am talking about but if you somehow missed it here is an image:

Trejo is getting older now, approaching the age of 70 if you can believe it.  The fact that he is just now getting the spotlight and taking hold of it like a man half his age says a lot about the kind of person he is.  This guy never stops working, and while he may make more B-movies than anything else he has still made such a significant impact.  Granted this movie and its sequel technically should count as B-movies they were made like that intentionally and both received worldwide distribution like any other big budget movie.

This movie, like most of Rodriguez’s films, has a lengthy and impressive cast.  The flawlessly beautiful Jessica Alba has a large part and actually appears naked at one point in the movie.  Don’t be fooled however because she has a no nude clause in her acting contract. Rodriguez is a whiz with making movies simple using his computer to do things digitally.  In the shower scene where we see a nearly naked Jessica Alba she was covered while shooting and it was digitally removed later.  Michelle Rodriguez, no relation to the film’s director, is an actress I usually cannot stand.  For years she was constantly playing the exact same role over and over again but of late she has started to impress me.  I actually thought she looked smoking hot in this movie and I have never thought so before.  I haven’t really seen her play different roles of late but somehow she seems better in them.  I’m thinking specifically of this film and of Avatar when I thought she gave a great performance.

I think this was possibly one of the coolest things Steven Seagal has ever done.  I have always regarded Steven Seagal as silly and never taken him serious as an actor.  I do not think his performance in this movie, while awesome, did anything to change that perception. When Seagal comes up I don’t think of his film career first but of that show I never watched where for some reason he tagged along with police and went on busts.  I thought the concept of that show was so bizarre.  What the hell is this guy doing right? Who is Steven Seagal to ride around with police and be involved with busts?  Did the heart to heart convos he had with perps after they were busted change any of their lives? Did I miss out by not watching this show? If anybody out there watched it I would really like to know about it, leave us a comment and tell us something about it.  Somebody out there really must love Seagal and I am always curious why.  He regularly gets a specific week dedicated to him and his movies on AMC.  I’ll admit I haven’t seen enough of his films but I had seen enough as far as I was concerned. Seagal fans tell me I am wrong.  Have I just been missed out all these years and is Seagal really something special? If I have missed something that is worth my time leave me a comment and let know what I should check out.

Chris Cooper was originally offered the part of the corrupt senator but he refused the part because he thought the script was bizarre. When Robert De Niro took the part it suddenly became much easier for Rodriguez to get any other star he wanted in the film.  We see a couple of his regulars as well.  Cheech Marin reprised his role from the original trailer.  Marin appears in most of Rodriguez’s films but has really put together an impressive body of work since simply being half of a popular pothead duo.  Tom Savini is also here as an assassin and for the first time in a Rodriguez film he doesn’t die.  You can also see Rodriguez’s sisters playing two nurses who are part of “The Network.”

When we sat down to watch this movie last night I was really looking forward to it.  It had been a while since we had seen it and I loved it when it came out.  To be honest I really just couldn’t get into it and found the whole experience really disappointing. Maybe I wasn’t in the right mood, I don’t know but for whatever reason I just didn’t love or really even like this movie when I watched it last night.  I think the action and choreography of the fights are great, both of which are specific talents of Rodriguez.  I like most of the actors and still like the campy style of the film but the endearing quality was just lost on me this time.  I don’t want to go into the film too much because I can’t bring myself to criticize Rodriguez or Trejo.  There is still plenty to like about this movie but when you watch it you just need to understand that it does some things on purpose and take it for what it is worth. It’s meant to be over the top and when that is done on purpose it’s altogether different than the stupid films that do it honestly. This movie didn’t do it for me last night and I don’t think it’s going to be one I regularly revisit but I still think it is worth your time to see at least once.

AMBER’S REVIEW

macheteThis movie is okay. I remember really liking it the first time I watched it, but having watched it again, I just don’t know. There are some parts I love and parts I loathe.

This poster kills me. Rodriguez kills me too. He and Tarantino both think they have found this awesome way to stand out-by making their signature that looks like its straight out of the 70s era. This can be fun and a really good idea, but it only works when the movie is set in the same era. I mean seriously guys; move on with the design inspiration. The title sequences included. Their movie ideas are incredible, but the graphic design that goes into their ideas is horrible.

This poster is a montage of the characters. You all should know by now how much that kills me. At least there is a big cheesy explosion in the background. In this case cheesy works, since the whole movie is in fact very cheesy. I don’t like this poster at all. I don’t even like the typography. I have never been a fan of anything looking too much like a WordArt image. I think there was room to make this better and the opportunity was missed here.

NEXT MOVIE: Magnolia (1999)